Native American Heritage Month is celebrated every November to honor the traditions, languages and stories of the Native American and Native Alaskan communities. We have a number of both fiction and nonfiction books by Native authors and about Native history at the library; some of them are currently on display in front of the fiction section at the Demott branch. Here are just a few you might be interested in:
Blood Sisters by Vanessa Lillie
Thriller/Suspense
As an archeologist for the Bureau of Indian Affairs, Syd Walker spends her days in Rhode Island trying to protect the land’s indigenous past, even as she’s escaping her own.
While Syd is dedicated to her job, she’s haunted by a night of violence she barely escaped in her Oklahoma hometown fifteen years ago. Though she swore she’d never go back, the past comes calling.
When a skull is found near the crime scene of her youth, just as her sister, Emma Lou, vanishes, Syd knows she must return home. She refuses to let her sister’s disappearance, or the remains, go ignored—as so often happens in cases of missing Native women.
But not everyone is glad to have Syd home, and she can feel the crosshairs on her. Still, the deeper Syd digs, the more she uncovers about a string of missing indigenous women cases going back decades. To save her sister, she must expose a darkness in the town that no one wants to face—not even Syd.
Cherokee America by Margaret Verble
Historical Fiction
Cherokee Nation West, 1875. It’s early in spring, and a baby has gone missing—along with a preacher, a black hired hand, a bay horse, a gun, and a stash of gold. Cherokee America Singer is not amused. Known as “Check,” the wealthy farmer and soon-to-be-widowed mother of five boys has enough to deal with already.
In this epic of the American frontier, several plots intertwine around the heroic and resolute Check: her son is caught in a compromising position that results in murder; a neighbor disappears; another man is killed. The tension mounts and the violence escalates as Check’s mixed race family, friends, and neighbors come together to protect their community at any cost—even if it requires expelling one of their own.
Indian Burial Ground by Nick Medina
Horror
All Noemi Broussard wanted was a fresh start. With a new boyfriend who actually treats her right and a plan to move from the reservation she grew up on—just like her beloved Uncle Louie before her—things are finally looking up for Noemi. Until the news of her boyfriend’s apparent suicide brings her world crumbling down.
But the facts about Roddy’s death just don’t add up, and Noemi isn’t the only one who suspects that something menacing might be lurking within their tribal lands.
After over a decade away, Uncle Louie has returned to the reservation, bringing with him a past full of secrets, horror, and what might be the key to determining Roddy’s true cause of death. Together, Noemi and Louie set out to find answers…but as they get closer to the truth, Noemi begins to wonder whether it might be best for some secrets to remain buried.
“All the Real Indians Died Off” and 20 Other Myths About Native Americans by Roxanne Dunbar-Ortiz and Dina Gilio-Whitaker
Nonfiction
In this enlightening book, scholars and activists Roxanne Dunbar-Ortiz and Dina Gilio-Whitaker tackle a wide range of myths about Native American culture and history that have misinformed generations. Tracing how these ideas evolved, and drawing from history, the authors disrupt long-held and enduring myths such as:
“Columbus Discovered America”
“Thanksgiving Proves the Indians Welcomed Pilgrims”
“Indians Were Savage and Warlike”
“Europeans Brought Civilization to Backward Indians”
“The United States Did Not Have a Policy of Genocide”
“Sports Mascots Honor Native Americans”
“Most Indians Are on Government Welfare”
“Indian Casinos Make Them All Rich”
“Indians Are Naturally Predisposed to Alcohol”
Each chapter deftly shows how these myths are rooted in the fears and prejudice of European settlers and in the larger political agendas of a settler state aimed at acquiring Indigenous land and tied to narratives of erasure and disappearance. Accessibly written and revelatory, “All the Real Indians Died Off” challenges readers to rethink what they have been taught about Native Americans and history.
We Had a Little Real Estate Problem: The Unheralded Story of Native Americans & Comedy by Kliph Nesteroff
Nonfiction
It was one of the most reliable jokes in Charlie Hill’s stand-up routine: “My people are from Wisconsin. We used to be from New York. We had a little real estate problem.”
In “We Had a Little Real Estate Problem,” acclaimed comedy historian Kliph Nesteroff focuses on one of comedy’s most significant and little-known stories: how, despite having been denied representation in the entertainment industry, Native Americans have influenced and advanced the art form.
The account begins in the late 1880s, when Native Americans were forced to tour in wild west shows as an alternative to prison. This is followed by a detailed look at the life and work of seminal figures such as Cherokee humorist Will Rogers and Hill, who in the 1970s was the first Native American comedian to appear The Tonight Show.
Also profiled are several contemporary comedians, including Jonny Roberts, a social worker from the Red Lake Nation who drives five hours to the closest comedy club to pursue his stand-up dreams; Kiowa-Apache comic Adrianne Chalepah, who formed the touring group the Native Ladies of Comedy; and the 1491s, a sketch troupe whose satire is smashing stereotypes to critical acclaim. As Ryan Red Corn, the Osage member of the 1491s, says: “The American narrative dictates that Indians are supposed to be sad. It’s not really true and it’s not indicative of the community experience itself…Laughter and joy is very much a part of Native culture.”
Whiskey Tender by Deborah Jackson Taffa
Memoir
Deborah Jackson Taffa was raised to believe that some sacrifices were necessary to achieve a better life. Her grandparents—citizens of the Quechan Nation and Laguna Pueblo tribe—were sent to Indian boarding schools run by white missionaries, while her parents were encouraged to take part in governmental job training off the reservation. Assimilation meant relocation, but as Taffa matured into adulthood, she began to question the promise handed down by her elders and by American society: that if she gave up her culture, her land, and her traditions, she would not only be accepted, but would be able to achieve the “American Dream.”
“Whiskey Tender” traces how a mixed tribe native girl—born on the California Yuma reservation and raised in Navajo territory in New Mexico—comes to her own interpretation of identity, despite her parent’s desires for her to transcend the class and “Indian” status of her birth through education, and despite the Quechan tribe’s particular traditions and beliefs regarding oral and recorded histories. Taffa’s childhood memories unspool into meditations on tribal identity, the rampant criminalization of Native men, governmental assimilation policies, the Red Power movement, and the negotiation between belonging and resisting systemic oppression. Pan-Indian, as well as specific tribal histories and myths, blend with stories of a 1970s and 1980s childhood spent on and off the reservation.
